At first, I couldn't get surround output to work. One thing: in Pro Tools, the unit defaults to 5 stereo output pairs. No serious measurements here to report, but I was VERY happy with the sound. I felt I could have probably lowered the buffer more, but I didn't, as I was perfectly happy with the setting as it was. I was able to reduce my playback buffer to 128 samples, in a pretty resource heavy project, and it played back perfectly, without a single issue. #BEHRINGER FIREPOWER FCA610 REVIEW HOW TO#Once I correctly got the device connected via USB (mine came with a manual addendum explaining how to do this, as apparently lots of folks get confused), I was able to use it straight away in Pro Tools HD, and was surprised by the quality of the playback, and the efficiency of the unit. While I'm absolutely certain the RME is a fantastic unit, I didn't need the quality inputs for the added cost.īack to the Behringer: on the Mac, there are no drivers required. Then the next unit I found that would do it was the RME for well over $1000. ![]() The Steinberg UR28M does this, for a bit more than double the price, but it only has 6 discreet outputs, and I needed 8 for a separate ADR headphone mix. ![]() It turns out there are very few interfaces (and virtually zero, in this price range) that will allow you to do that. Additionally, I needed an interface that would allow me to control all of the discreet analog outputs at the same time, using the volume knob on the front of the device. ![]() I work in audio post production, and I needed an interface that would allow me to mix in surround, while using Pro Tools HD.
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